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<h1>小引<span style='font-size:small'> 原文</span></h1>
<p>丁卯之秋事,附肤落毛,失诸正鹄,迟回白门。偶戏取古今所闻一二奇局可纪者,演而成说,聊舒胸中磊块。非曰行之可远,姑以游戏为快意耳。同侪过从者索阅一篇竟,必拍案曰:“奇哉所闻乎!”为书贾所侦,因以梓传请。遂为钞撮成编,得四十种。支言俚说,不足供酱瓿;而翼飞胫走,较捻髭呕血、笔冢研穿者,售不售反霄壤隔也。嗟乎,文讵有定价乎?贾人一试之而效,谋再试之。余笑谓:“一之已甚。”顾逸事新语可佐谈资者,乃先是所罗而未及付之于墨,其为柏梁余材、武昌剩竹,颇亦不少。意不能恝,聊复缀为四十则。其间说鬼说梦,亦真亦诞,然意存劝戒,不为风雅罪人,后先一指也。竺乾氏以此等亦为绮语障,作如是观,虽现稗官身为说法,恐维摩居士知贡举,又不免驳放耳。</p><p>崇祯壬申冬日即空观主人题于玉光斋中</p>
<p>丁卯之秋事,附肤落毛,失诸正鹄,迟回白门。偶戏取古今所闻一二奇局可纪者,演而成说,聊舒胸中磊块。非曰行之可远,姑以游戏为快意耳。同侪过从者索阅一篇竟,必拍案曰:“奇哉所闻乎!”为书贾所侦,因以梓传请。遂为钞撮成编,得四十种。支言俚说,不足供酱瓿;而翼飞胫走,较捻髭呕血、笔冢研穿者,售不售反霄壤隔也。嗟乎,文讵有定价乎?贾人一试之而效,谋再试之。余笑谓:“一之已甚。”顾逸事新语可佐谈资者,乃先是所罗而未及付之于墨,其为柏梁余材、武昌剩竹,颇亦不少。意不能恝,聊复缀为四十则。其间说鬼说梦,亦真亦诞,然意存劝戒,不为风雅罪人,后先一指也。竺乾氏以此等亦为绮语障,作如是观,虽现稗官身为说法,恐维摩居士知贡举,又不免驳放耳。
</p><p>崇祯壬申冬日即空观主人题于玉光斋中</p>
<div class='pn'><p class='pre'>上一节:<a href='序-原文.html'></a></p><p class='next'>下一节:<a href='卷一 进香客莽看金刚经 出狱僧巧完法会分-原文.html'>卷一 进香客莽看金刚经 出狱僧巧完法会分</a></p></div></body>
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<h1><span style='font-size:small'> 原文</span></h1>
<p>尝记《博物志》云:“汉刘褒画《云汉图》,见者觉热;又画《北风图》,见者觉寒。”窃疑画本非真,何缘至是?然犹曰人之见为之也。甚而僧繇点晴,雷电破壁;吴道玄画殿内五龙,大雨辄生烟雾。是将执画为真,则既不可,若云赝也,不已胜于真者乎?然则操觚之家,亦若是焉则已矣。</p><p>今小说之行世者,无虑百种,然而失真之病,起于好奇。知奇之为奇,而不知无奇之所以为奇。舍目前可纪之事,而驰骛于不论不议之乡,如画家之不图犬马而图鬼魅者,曰:“吾以骇听而止耳。”夫刘越石清啸吹笳,尚能使群胡流涕,解围而去,今举物态人情,恣其点染,而不能使人欲歌欲泣于其间。此其奇与非奇,固不待智者而后知之也。则为之解曰:“文自《南华》、《冲虚》,已多寓言;下至非有先生、冯虚公子,安所得其真者而寻之?”不知此以文胜,非以事胜也。至演义一家,幻易而真难,固不可相衡而论矣。即如《西游》一记,怪诞不经,读者皆知其谬,然据其所载,师弟四人,各一性情,各一动止,试摘取其一言一事,遂使暗中摹索,亦知其出自何人,则正以幻中有真,乃为传神阿堵。而已有不如《水浒》之讥。岂非真不真之关,固奇不奇之大较也哉?</p><p>即空观主人者,其人奇,其文奇,其遇亦奇。因取其抑塞磊落之才,出绪余以为传奇,又降而为演义,此《拍案惊奇》之所以两刻也。其所捃摭,大都真切可据。即间及神天鬼怪,故如史迁纪事,摹写逼真,而龙之踞腹,蛇之当道,鬼神之理,远而非无,不妨点缀域外之观,以破俗儒之隅见耳。若夫妖艳风流一种,集中亦所必存。唯污蔑世界之谈,则戛戛乎其务去。鹿门子常怪宋广平之为人,意其铁心石肠,而为《梅花赋》,则清便艳发,得南朝徐庾体。由此观之,凡托于椎陋以眩世,殆有不足信者夫。主人之言固曰:“使世有能得吾说者,以为忠臣孝子无难;而不能者,不至为宣淫而已矣。”此则作者之苦心,又出于平平奇奇之外者也。</p><p>时剞劂告成,而主人薄游未返,肆中急欲行世,征言于余。余未知搦管,毋乃“刻画无盐,唐突西子”哉!亦曰“簸之扬之,糠秕在前”云尔。</p><p>壬申冬日睡乡居士题并书</p>
<p>尝记《博物志》云:“汉刘褒画《云汉图》,见者觉热;又画《北风图》,见者觉寒。”窃疑画本非真,何缘至是?然犹曰人之见为之也。甚而僧繇点晴,雷电破壁;吴道玄画殿内五龙,大雨辄生烟雾。是将执画为真,则既不可,若云赝也,不已胜于真者乎?然则操觚之家,亦若是焉则已矣。
</p><p>今小说之行世者,无虑百种,然而失真之病,起于好奇。知奇之为奇,而不知无奇之所以为奇。舍目前可纪之事,而驰骛于不论不议之乡,如画家之不图犬马而图鬼魅者,曰:“吾以骇听而止耳。”夫刘越石清啸吹笳,尚能使群胡流涕,解围而去,今举物态人情,恣其点染,而不能使人欲歌欲泣于其间。此其奇与非奇,固不待智者而后知之也。则为之解曰:“文自《南华》、《冲虚》,已多寓言;下至非有先生、冯虚公子,安所得其真者而寻之?”不知此以文胜,非以事胜也。至演义一家,幻易而真难,固不可相衡而论矣。即如《西游》一记,怪诞不经,读者皆知其谬,然据其所载,师弟四人,各一性情,各一动止,试摘取其一言一事,遂使暗中摹索,亦知其出自何人,则正以幻中有真,乃为传神阿堵。而已有不如《水浒》之讥。岂非真不真之关,固奇不奇之大较也哉?
</p><p>即空观主人者,其人奇,其文奇,其遇亦奇。因取其抑塞磊落之才,出绪余以为传奇,又降而为演义,此《拍案惊奇》之所以两刻也。其所捃摭,大都真切可据。即间及神天鬼怪,故如史迁纪事,摹写逼真,而龙之踞腹,蛇之当道,鬼神之理,远而非无,不妨点缀域外之观,以破俗儒之隅见耳。若夫妖艳风流一种,集中亦所必存。唯污蔑世界之谈,则戛戛乎其务去。鹿门子常怪宋广平之为人,意其铁心石肠,而为《梅花赋》,则清便艳发,得南朝徐庾体。由此观之,凡托于椎陋以眩世,殆有不足信者夫。主人之言固曰:“使世有能得吾说者,以为忠臣孝子无难;而不能者,不至为宣淫而已矣。”此则作者之苦心,又出于平平奇奇之外者也。
</p><p>时剞劂告成,而主人薄游未返,肆中急欲行世,征言于余。余未知搦管,毋乃“刻画无盐,唐突西子”哉!亦曰“簸之扬之,糠秕在前”云尔。
</p><p>壬申冬日睡乡居士题并书</p>
<div class='pn'><p class='next'>下一节:<a href='小引-原文.html'>小引</a></p></div></body>
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<h1><span style='font-size:small'> 原文</span></h1>
<p>语有之:“少所见,多所怪。”今之人,但知耳目之外,牛鬼蛇神之为奇,而不知耳目之内,日用起居,其为谲诡幻怪非可以常理测者固多也。昔华人至异域,异域咤以牛粪金;随诘华之异者,则曰:“有虫蠕蠕,而吐为彩缯锦绮,衣被天下。”彼舌挢而不信,乃华人未之或奇也。则所谓必向耳目之外索谲诡幻怪以为奇,赘矣。</p><p>宋元时,有小说家一种,多采闾巷新事为宫闱承应谈资。语多俚近,意存劝讽;虽非博雅之派,要亦小道可观。近世承平日久,民佚志淫。一二轻薄恶少,初学拈笔,便思污蔑世界,广摭诬造,非荒诞不足信,则亵秽不忍闻。得罪名教,种业来生,莫此为甚!而且纸为之贵,无翼飞,不胫走。有识者为世道忧之,以功令厉禁,宜其然也。</p><p>独龙子犹氏所辑《喻世》等诸言,颇存雅道,时著良规,一破今时陋习。而宋元旧种,亦被搜括殆尽。肆中人见其行世颇捷,意余当别有秘本,图出而衡之。不知一二遗者,皆其沟中之断芜,略不足陈已。因取古今来杂碎事可新听睹、佐谈谐者,演而畅之,得若干卷。其事之真与饰,名之实与赝,各参半。文不足征,意殊有属。凡耳目前怪怪奇奇,当亦无所不有,总以言之者无罪,闻之者足以为戒,则可谓云尔已矣。若谓此非今小史家所奇,则是舍吐丝蚕而问粪金牛,吾恶乎从罔象索之?</p><p>即空观主人题于浮樽</p>
<p>语有之:“少所见,多所怪。”今之人,但知耳目之外,牛鬼蛇神之为奇,而不知耳目之内,日用起居,其为谲诡幻怪非可以常理测者固多也。昔华人至异域,异域咤以牛粪金;随诘华之异者,则曰:“有虫蠕蠕,而吐为彩缯锦绮,衣被天下。”彼舌挢而不信,乃华人未之或奇也。则所谓必向耳目之外索谲诡幻怪以为奇,赘矣。
</p><p>宋元时,有小说家一种,多采闾巷新事为宫闱承应谈资。语多俚近,意存劝讽;虽非博雅之派,要亦小道可观。近世承平日久,民佚志淫。一二轻薄恶少,初学拈笔,便思污蔑世界,广摭诬造,非荒诞不足信,则亵秽不忍闻。得罪名教,种业来生,莫此为甚!而且纸为之贵,无翼飞,不胫走。有识者为世道忧之,以功令厉禁,宜其然也。
</p><p>独龙子犹氏所辑《喻世》等诸言,颇存雅道,时著良规,一破今时陋习。而宋元旧种,亦被搜括殆尽。肆中人见其行世颇捷,意余当别有秘本,图出而衡之。不知一二遗者,皆其沟中之断芜,略不足陈已。因取古今来杂碎事可新听睹、佐谈谐者,演而畅之,得若干卷。其事之真与饰,名之实与赝,各参半。文不足征,意殊有属。凡耳目前怪怪奇奇,当亦无所不有,总以言之者无罪,闻之者足以为戒,则可谓云尔已矣。若谓此非今小史家所奇,则是舍吐丝蚕而问粪金牛,吾恶乎从罔象索之?
</p><p>即空观主人题于浮樽</p>
<div class='pn'><p class='next'>下一节:<a href='拍案惊奇凡例(计五则)-原文.html'>拍案惊奇凡例(计五则)</a></p></div></body>
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<h1>拍案惊奇凡例(计五则)<span style='font-size:small'> 原文</span></h1>
<p>一、每回有题。旧小说造句皆妙,故元人即以之为剧。今《太和正音谱》所载剧名,半犹小说句也。近来必欲取两回之不侔者,比而偶之,遂不免窜削旧题,亦是点金成铁。今每回用二句自相对偶,仿《水浒》、《西游》旧例。</p><p>一、是编矢不为风雅罪人,故回中非无语涉风情,然止存其事之有者,蕴藉数语,人自了了;绝不作肉麻秽口,伤风化,损元气。此自笔墨雅道当然,非迂腐道学态也。</p><p>一、小说中诗词等类,谓之蒜酪。强半出自新构;间有采用旧者,取一时切景而及之,亦小说家旧例,勿嫌剽窃。</p><p>一、事类多近人情日用,不甚及鬼怪虚诞。正以画犬马难,画鬼魅易,不欲为其易而不足征耳。亦有一二涉于神鬼幽冥,要是切近可信,与一味驾空说谎,必无是事者不同。</p><p>一、是编主于劝戒,故每回之中,三致意焉。观者自得之,不能一一标出。</p><p>崇祯戊辰初冬即空观主人识</p>
<p>一、每回有题。旧小说造句皆妙,故元人即以之为剧。今《太和正音谱》所载剧名,半犹小说句也。近来必欲取两回之不侔者,比而偶之,遂不免窜削旧题,亦是点金成铁。今每回用二句自相对偶,仿《水浒》、《西游》旧例。
</p><p>一、是编矢不为风雅罪人,故回中非无语涉风情,然止存其事之有者,蕴藉数语,人自了了;绝不作肉麻秽口,伤风化,损元气。此自笔墨雅道当然,非迂腐道学态也。
</p><p>一、小说中诗词等类,谓之蒜酪。强半出自新构;间有采用旧者,取一时切景而及之,亦小说家旧例,勿嫌剽窃。
</p><p>一、事类多近人情日用,不甚及鬼怪虚诞。正以画犬马难,画鬼魅易,不欲为其易而不足征耳。亦有一二涉于神鬼幽冥,要是切近可信,与一味驾空说谎,必无是事者不同。
</p><p>一、是编主于劝戒,故每回之中,三致意焉。观者自得之,不能一一标出。
</p><p>崇祯戊辰初冬即空观主人识</p>
<div class='pn'><p class='pre'>上一节:<a href='序-原文.html'></a></p><p class='next'>下一节:<a href='卷一 转运汉遇巧洞庭红 波斯胡指破鼍龙壳-原文.html'>卷一 转运汉遇巧洞庭红 波斯胡指破鼍龙壳</a></p></div></body>
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<h1><span style='font-size:small'> 原文</span></h1>
<p>史统散而小说兴。始乎周季,盛于唐,而浸淫于宋。韩非、列御寇诸人,小说之祖也。《吴越春秋》等书,虽出炎汉,然秦火之后,着述犹希。迨开元以降,而文人之笔横矣。若通俗演义,不知何?按南宋供奉局,有说话人,如今说书之流。其文必通俗,其作者莫可考。泥马倦勤,以太上享天下之养,仁寿清暇,喜阅话本,命内榼日进一帙,当意,则以金钱厚酬。于是内榼辈广求先代奇迹及闾里新闻,倩人敷演进御,以怡天颜。然一览辄置,卒多浮沉内庭,其传布民间者,什不一二耳。然如《玩江楼》、《双鱼坠记》等类,又皆鄙俚浅薄,齿牙弗馨焉。暨施、罗两公,鼓吹胡元,而《三国志》、《水浒》、《平妖》诸传,遂成巨观。要以韫玉违时,销熔岁月,非龙见之日所暇也。</p><p>皇明文治既郁,靡流不波,即演义一斑,往往有远过宋人者。而或以为恨乏唐人风致,谬矣。食桃者不费杏,拚掞毳锦,惟时所适,以唐说律宋,将有以汉说律唐,以春秋战国说律汉,不至于尽扫羲圣之一画不止!可若何?大抵唐人选言,入于文心;宋人通俗,谐于里耳。天下之文心少而里耳多,则小说之资于选言者少,而资于通俗者多。试今说话人当场描写,可喜可愕,可悲可涕,可歌可舞;再欲捉刀,再欲下拜,再欲决蒨,再欲捐金。怯者勇,淫者贞,薄者敦,顽钝者汗下。虽小诵《孝经》、《论语》,其感人未必如是之捷且深也。噫!不通俗而能之乎?茂苑野史氏,家藏古今通俗小说甚富,因贾人之请,抽其可以嘉惠里耳者,凡四十种,畀为一刻。余顾而乐之,因索笔而弁其首。</p><p>绿天馆主人题</p>
<p>史统散而小说兴。始乎周季,盛于唐,而浸淫于宋。韩非、列御寇诸人,小说之祖也。《吴越春秋》等书,虽出炎汉,然秦火之后,着述犹希。迨开元以降,而文人之笔横矣。若通俗演义,不知何?按南宋供奉局,有说话人,如今说书之流。其文必通俗,其作者莫可考。泥马倦勤,以太上享天下之养,仁寿清暇,喜阅话本,命内榼日进一帙,当意,则以金钱厚酬。于是内榼辈广求先代奇迹及闾里新闻,倩人敷演进御,以怡天颜。然一览辄置,卒多浮沉内庭,其传布民间者,什不一二耳。然如《玩江楼》、《双鱼坠记》等类,又皆鄙俚浅薄,齿牙弗馨焉。暨施、罗两公,鼓吹胡元,而《三国志》、《水浒》、《平妖》诸传,遂成巨观。要以韫玉违时,销熔岁月,非龙见之日所暇也。
</p><p>皇明文治既郁,靡流不波,即演义一斑,往往有远过宋人者。而或以为恨乏唐人风致,谬矣。食桃者不费杏,拚掞毳锦,惟时所适,以唐说律宋,将有以汉说律唐,以春秋战国说律汉,不至于尽扫羲圣之一画不止!可若何?大抵唐人选言,入于文心;宋人通俗,谐于里耳。天下之文心少而里耳多,则小说之资于选言者少,而资于通俗者多。试今说话人当场描写,可喜可愕,可悲可涕,可歌可舞;再欲捉刀,再欲下拜,再欲决蒨,再欲捐金。怯者勇,淫者贞,薄者敦,顽钝者汗下。虽小诵《孝经》、《论语》,其感人未必如是之捷且深也。噫!不通俗而能之乎?茂苑野史氏,家藏古今通俗小说甚富,因贾人之请,抽其可以嘉惠里耳者,凡四十种,畀为一刻。余顾而乐之,因索笔而弁其首。
</p><p>绿天馆主人题</p>
<div class='pn'><p class='next'>下一节:<a href='第一卷  蒋兴哥重会珍珠衫-原文.html'>第一卷  蒋兴哥重会珍珠衫</a></p></div></body>
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